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  • Period: 476 to 1453

    Middle Ages

  • 700

    Canto Gregoriano

    Canto Gregoriano
    La denominación canto gregoriano procede del hecho de que su recopilación se atribuye al papa Gregorio Magno, y se trata de una evolución del canto romano confrontado al canto galicano. Debe aclararse y entenderse que el canto gregoriano no fue compuesto por el papa Gregorio Magno, ni tampoco recopilado por él. Fue a partir del siglo ix cuando empezó a asociarse su nombre a este compendio musical, sobre todo a partir de la biografía de Juan el Diácono.
  • 992

    Guido d’Arezzo

    Guido d’Arezzo
    Guido of Arezzo (Italian: Guido d'Arezzo;c. 991–992 – after 1033) was an Italian music theorist and pedagogue of High medieval music. A Benedictine monk, he is regarded as the inventor—or by some, developer—of the modern staff notation that had a massive influence on the development of Western musical notation and practice.
  • 1098

    Hildegard von Bingen

    Hildegard von Bingen
    Hildegard of Bingen (German: Hildegard von Bingen, pronounced ; Latin: Hildegardis Bingensis; , also known as Saint Hildegard and the Sibyl of the Rhine, was a German Benedictine abbess and polymath active as a writer, composer, philosopher, mystic, visionary, and as a medical writer and
  • 1190

    Bernart de Ventadorn

    Bernart de Ventadorn
    Bernart de Ventadorn (also Bernard de Ventadour or Bernat del Ventadorn, was a French poet-composer troubadour of the classical age of troubadour poetry.[1] Generally regarded as the most important troubadour in both poetry and music,
  • 1198

    Perotin

    Perotin
    was a composer associated with the Notre Dame school of polyphony in Paris and the broader ars antiqua musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the introduction of three and four-part harmonies.
  • 1200

    Ars Antiqua

    Ars Antiqua
    Ars antiqua, also called ars veterum or ars vetus, is a term used by modern scholars to refer to the Medieval music of Europe during the High Middle Ages, between approximately 1170 and 1310. This covers the period of the Notre-Dame school of polyphony (the use of multiple, simultaneous, independent melodic lines), and the subsequent years which saw the early development of the motet, a highly varied choral musical composition.
  • 1200

    Alfonso X el sabio

    Alfonso X el sabio
    Alfonso X (also known as the Wise, Spanish: el Sabio; 23 November 1221 – 4 April 1284) was King of Castile, León and Galicia from 30 May 1252 until his death in 1284. During the election of 1257, a dissident faction chose him to be king of Germany on 1 April. He renounced his claim to Germany in 1275, and in creating an alliance with the Kingdom of England in 1254, his claim on the Duchy of Gascony as well.
  • 1201

    Léonin

    Léonin
    Léonin (also Leoninus, Leonius, Leo; fl. 1135s–1201) was the first known significant composer of polyphonic organum. He was probably French, probably lived and worked in Paris at the Notre Dame Cathedral and was the earliest member of the Notre Dame school of polyphony and the ars antiqua style who is known by name.
  • 1300

    Ars Nova

    Ars Nova
    Ars nova (Latin for new art)[2] refers to a musical style which flourished in the Kingdom of France and its surroundings during the Late Middle Ages. More particularly, it refers to the period between the preparation of the Roman de Fauvel (1310s) and the death of composer Guillaume de Machaut in 1377.
  • 1313

    Guillaume de Machaut

    Guillaume de Machaut
    Machaut, one of the earliest European composers on whom considerable biographical information is available, has an unprecedented amount of surviving music, in part due to his own involvement in his manuscripts' creation and preservation.[4] Machaut embodies the culmination of the poet-composer tradition stretching back to the traditions of troubadour and trouvère.[2] His poetry was greatly admired and imitated by other poets
  • 1325

    Francesco Landini.

    Francesco's name is recorded in many variants throughout medieval manuscripts and documents, including, Francesco degli Organi, Francesco il Cieco, Francesco da Firenze, Magister Franciscus de Florentia, Magister Franciscus Coecus Horghanista de Florentia, Francesco degli orghani and Cechus de Florentia.
  • 1468

    Juan del Encina.

    Juan del Encina.
    Juan del Encina (July 12, 1468 – 1529/1530)[1] was a composer, poet, priest, and playwright,[2]: 535  often credited as the joint-father (even "founder" or "patriarch") of Spanish drama, alongside Gil Vicente. His birth name was Juan de Fermoselle.[1] He spelled his name Enzina, but this is not a significant difference; it is two spellings of the same sound, in a time when "correct spelling" as we know it barely existed.
  • 1483

    Martín Lutero

    Martin Luther OSA (/ˈluːθər/;[1] German: [ˈmaʁtiːn ˈlʊtɐ] ⓘ; 10 November 1483[2] – 18 February 1546) was a German priest, theologian, author, hymnwriter, professor, and Augustinian friar.[3] He was the seminal figure of the Protestant Reformation, and his theological beliefs form the basis of Lutheranism.
  • 1492

    Cristóbal de Morales

    Cristóbal de Morales (c. 1500 – between 4 September and 7 October 1553) was a Spanish composer of the Renaissance. He is generally considered to be the most influential Spanish composer before Tomás Luis de Victoria
  • 1532

    Andrea Gabrieli

    Andrea Gabrieli (1532/1533[1] – August 30, 1585) was an Italian[1] composer and organist of the late Renaissance. The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the Venetian School of composers, and was extremely influential in spreading the Venetian style in Italy as well as in Germany.
  • 1550

    Antonio de Cabezón

    Antonio de Cabezón (30 March 1510 – 26 March 1566) was a Spanish Renaissance composer and organist. Blind from childhood, he quickly rose to prominence as a performer and was eventually employed by the royal family. He was among the most important composers of his time and the first major Iberian keyboard composer.[1]
  • 1569

    Claudio Monteverdi

    Claudio Giovanni Antonio Monteverdi[n 1] (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history.
  • Orlando di Lasso

    Orlando di Lasso (various other names; probably c. 1532 – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school,
  • Stradivarius

    A Stradivarius is one of the violins, violas, cellos and other string instruments built by members of the Italian family Stradivari, particularly Antonio Stradivari (Latin: Antonius Stradivarius), during the 17th and 18th centuries. They are considered some of the finest instruments ever made, and are extremely valuable collector's items.
  • Tomás Luis de Victoria

    Tomás Luis de Victoria (sometimes Italianised as da Vittoria; c. 1548 – c. 20–27 August 1611) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admir
  • Barbara Strozzi

    Barbara Strozzi
    Barbara Strozzi (also called Barbara Valle; baptised 6 August 1619 – 11 November 1677) was an Italian composer and singer of the Baroque Period. During her lifetime, Strozzi published eight volumes of her own music, and had more secular music in print than any other composer of the era.[1] This was achieved without any support from the Church and with no consistent patronage from the nobility.
  • Henry Purcel

    Henry Purcel
    Henry Purcel 10 September 1659[n 2] – 21 November 1695) was an English composer of Baroque music. Purcell's musical style was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers,[4] Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers.
  • Antonio Vivaldi

    Antonio Vivaldi
    Antonio Lucio Vivaldi[n 2] (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music.[4] Along with Johann Sebastian Bach and George Frideric Handel, Vivaldi ranks amongst the greatest Baroque composers and his influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programmatic music.
  • Johann Sebastian Bach

    Johann Sebastian Bach
    Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier;
  • J. Haydn

    Franz Joseph Haydn (pronunciado ˈjoːzɛf ˈhaɪdn̩ⓘ)[1]​ (Rohrau, cerca de Viena; 31 de marzo de 1732-Viena; 31 de mayo de 1809), conocido como Joseph Haydn, fue un compositor austriaco. Es uno de los máximos representantes del periodo Clásico, además de ser conocido como el «padre de la sinfonía» y el «padre del cuarteto de cuerda» gracias a sus importantes contribuciones a ambos géneros. También contribuyó al desarrollo instrumental del trío con piano y en la evolución de la forma sonata
  • Gluck

    desde 1756 caballero de Gluck (Ritter von Gluck, en alemán) (Erasbach, 2 de julio de 1714-Viena, 15 de noviembre de 1787) fue un compositor alemán, proveniente de la región de Bohemia, República Checa. Es considerado uno de los compositores de ópera más importantes del Clasicismo de la segunda mitad del siglo xviii.
  • Georg Friedrich Händel

    Georg Friedrich Händel
    George Frideric (or Frederick) Handel (/ˈhændəl/;[a] baptised Georg Friedrich Händel; 23 February 1685 – 14 April 1759)[2][c] was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712,
  • beethoven

    Ludwig van Beethoven[a]​ (Bonn, Arzobispado de Colonia; 16 de diciembre de 1770[b]​-Viena, 26 de marzo de 1827) fue un compositor, director de orquesta, pianista y profesor de piano alemán. Su legado musical abarca, cronológicamente, desde el Clasicismo hasta los inicios del Romanticismo. Es considerado uno de los compositores más importantes de la historia de la música y su legado ha influido de forma decisiva en la evolución posterior de este arte.
  • Mozart

    Johannes Chrysostomus Wolfgangus Theophilus Mozart[a]​ (Salzburgo, 27 de enero de 1756-Viena, 5 de diciembre de 1791), más conocido como Wolfgang Amadeus Mozart, fue un compositor, pianista, director de orquesta y profesor del antiguo Arzobispado de Salzburgo (anteriormente parte del Sacro Imperio Romano Germánico, actualmente parte de Austria), maestro del Clasicismo, considerado como uno de los músicos más influyentes y destacados de la historia.
  • Rossini

    Gioachino[n 1] Antonio Rossini[n 2] (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
  • nannler mozart

    Maria Anna Walburga Ignatia Mozart (30 July 1751 – 29 October 1829), called "Marianne" and nicknamed Nannerl, was a musician, the older sister of Wolfgang Amadeus Mozart (1756–1791) and daughter of Leopold (1719–1787) and Anna Maria Mozart (1720–1778).
  • mendelssonh

    Felix Mendelssohn,[n 2] was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream (which includes his "Wedding March"), the Italian Symphony, the Scottish Symphony
  • schumman

    Robert Schumann (German: [ˈʁoːbɛʁt ˈʃuːman]; 8 June 1810 – 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded
  • Chopin

    Frédéric François Chopin[n 1] (born Fryderyk Franciszek Chopin;[n 2][n 3] 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation"
  • wagner

    Wilhelm Richard Wagner (/ˈvɑːɡnər/ VAHG-nər;[1][2] German: [ˈʁɪçaʁt ˈvaːɡnɐ] ⓘ; 22 May 1813 – 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works.
  • maria von paradise

    February 1, 1824) was an Austrian musician and composer who lost her sight at an early age, and for whom her close friend Mozart may have written his Piano Concerto No. 18 in B-flat major. She was also in contact with Salieri, Haydn, and Gluck.
  • smetana

    Bedřich Smetana (/ˌbɛdərʒɪx ˈsmɛtənə/ BED-ər-zhikh SMET-ə-nə,[1][2][3] Czech: [ˈbɛdr̝ɪx ˈsmɛtana] ⓘ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival". He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera The Bartered Bride and for the symphonic cycle Má vlast ("My Fatherland")
  • schubert

    Franz Peter Schubert (German: [fʁants ˈpeːtɐ ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art songs
  • brahms

    Johannes Brahms (German: [joˈhanəs ˈbʁaːms]; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
  • Musorgski

    Модест Петрович Мусоргский[a], tr. Modest Petrovich Musorgsky[b], IPA: [mɐˈdɛst pʲɪˈtrovʲɪtɕ ˈmusərkskʲɪj] ⓘ; 21 March [O.S. 9 March] 1839 – 28 March [O.S. 16 March] 1881) was a Russian composer, one of the group known as "The Five". He was an innovator of Russian music in the Romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.
  • chaikovski

    Pyotr Ilyich Tchaikovskyn 1[n 2] was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. Tchaikovsky wrote some of
  • grieg

    Edvard Hagerup Grieg (/ɡriːɡ/ GREEG, Norwegian: [ˈɛ̀dvɑʈ ˈhɑ̀ːɡərʉp ˈɡrɪɡː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia.[1]
  • Korsakov

    Nikolái Andréyevich Rimski-Kórsakov[a]​ (Tijvin, 6 de marzojul./ 18 de marzo de 1844greg.-finca Lubensk, 8 de juniojul./ 21 de junio de 1908greg.)[b]​ fue un compositor, director de orquesta y pedagogo ruso miembro del grupo de compositores conocido como Los Cinco.[c]​ Considerado un maestro de la orquestación, sus obras orquestales más conocidas —el Capricho español, la Obertura de la gran Pascua rusa y la suite sinfónica Scheherezade— son valoradas entre las
  • puccini

    Giacomo Puccini[n 1] (22 December 1858 – 29 November 1924)[1] was an Italian composer known primarily for his operas. Regarded as the greatest[2] and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic verismo style, of which he became one of the leading exponents.
  • hugo wolf

    Hugo Philipp Jacob Wolf (13 March 1860 – 22 February 1903)[1] was an Austrian composer, particularly noted for his art songs, or Lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music, somewhat related to that of the Second Viennese School in concision but diverging greatly in technique.
  • Debussy -

    Achille) Claude Debussy[n 1] (French: [aʃil klod dəbysi]; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
  • sinelius

    Jean Sibelius (/sɪˈbeɪliəs/ sib-AY-lee-əs;[1] Finland Swedish: [ˈjɑːn siˈbeːliʉs, ˈʃɑːn -] ⓘ; born Johan Julius Christian Sibelius;[2] 8 December 1865 – 20 September 1957) was a Finnish composer of the late Romantic and early-modern periods. He is widely regarded as his country's greatest composer, and his music is often credited with having helped Finland develop a stronger national identity when his country was struggling from several attempts of Russification in the late 19th
  • Smetana

    Bedřich Smetana (/ˌbɛdərʒɪx ˈsmɛtənə/ BED-ər-zhikh SMET-ə-nə,[1][2][3] Czech: [ˈbɛdr̝ɪx ˈsmɛtana] ⓘ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival". He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866
  • berlioz

    Louis-Hector Berlioz[n 1] (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid genres such as the "dramatic symphony" Roméo et Juliette and the "dramatic legend" La Damnation de Faust.
  • Ravel

    Joseph Maurice Ravel[n 1] (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.
  • Listz

    Franz Liszt[n 1] (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor, and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded.
  • Chaico vavski

    Piotr Ilich Chaikovski (en ruso: Пётр Ильич Чайковский, romanización Piotr Il'ič Čajkovskij, pronunciación /ˈpʲotr ɪlʲˈjit͡ɕ t͡ɕɪjˈkofskʲɪj/ⓘ)[nota 1]​ (Vótkinsk, 25 de abriljul./ 7 de mayo de 1840greg.-San Petersburgo, 25 de octubrejul./ 6 de noviembre de 1893greg.)[nota 2]​ fue un compositor ruso del período del Romanticismo. Es autor de algunas de las obras de música clásica más famosas del repertorio actual
  • Verdi

    Giuseppe Fortunino Francesco Verdi (Italian: [dʒuˈzɛppe ˈverdi]; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti, whose works significantly influenced him.
  • Dvorak

    Antonín Leopold Dvořák (/d(ə)ˈvɔːrʒɑːk, -ʒæk/ d(ə-)VOR-zha(h)k; Czech: [ˈantoɲiːn ˈlɛopold ˈdvor̝aːk] ⓘ; 8 September 1841 – 1 May 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition,
  • Dvorak

    Antonín Leopold Dvořák (/d(ə)ˈvɔːrʒɑːk, -ʒæk/ d(ə-)VOR-zha(h)k; Czech: [ˈantoɲiːn ˈlɛopold ˈdvor̝aːk] ⓘ; 8 September 1841 – 1 May 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing fo
  • Grieg

    Edvard Hagerup Grieg (/ɡriːɡ/ GREEG, Norwegian: [ˈɛ̀dvɑʈ ˈhɑ̀ːɡərʉp ˈɡrɪɡː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia
  • Messiaen

    Olivier Messiaen (Aviñón, 10 de diciembre de 1908-Clichy, Île-de-France, 27 de abril de 1992) fue un compositor, organista, pedagogo y ornitólogo francés, uno de los músicos más destacados de toda la centuria. Tanto su fascinación por el hinduismo como su admiración por la naturaleza y los pájaros, su profunda fe cristiana y su amor por el color instrumental fueron primordiales para su formación como persona y artista.
  • Gustav mahler

    Gustav Mahler (German: [ˈɡʊstaf ˈmaːlɐ]; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century
  • Gershwin

    George Gershwin (/ˈɡɜːrʃ.wɪn/; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), the songs "Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera Porgy and Bess (1935), which included the hit
  • Sibelius

    Jean Sibelius (/sɪˈbeɪliəs/ sib-AY-lee-əs;[1] Finland Swedish: [ˈjɑːn siˈbeːliʉs, ˈʃɑːn -] ⓘ; born Johan Julius Christian Sibelius;[2] 8 December 1865 – 20 September 1957) was a Finnish composer of the late Romantic and early-modern periods. He is widely regarded as his country's greatest composer, and his music is often credited with having helped Finland develop a stronger national identity when his country was struggling from several attempts at Russification in the late 19th century.[3]
  • Kódaly

    Zoltán Kodály (UK: /ˈkoʊdaɪ/, US: /koʊˈdaɪ/;[1][2] Hungarian: Kodály Zoltán, pronounced [ˈkodaːj ˈzoltaːn]; 16 December 1882 – 6 March 1967) was a Hungarian composer, ethnomusicologist, music pedagogue, linguist, and philosopher. He is well known internationally as the creator of the Kodály method of music education.
  • Stravinsky

    Ígor Fiódorovich Stravinski (en ruso: Игорь Фёдорович Стравинский; Oranienbaum, 17 de junio de 1882-Nueva York, 6 de abril de 1971) fue un compositor y director de orquesta ruso y uno de los músicos más importantes y trascendentales del siglo xx.