painting (renaissance)

  • Period: 1300 to 1425

    Proto-Renaissance

    The art of the region of Tuscany in the late 13th century was dominated by two masters of the Italo-Byzantine style, Cimabue of Florence and Duccio of Siena. There were mostly religious paintings, several of them being very large altarpieces showing the Madonna and Child.
  • 1337

    Giotto

    Giotto
    by tradition, a shepherd boy from the hills north of Florence, became Cimbue’s apprentice and emerged as the most outstanding painter of his time. Giotto's most famous painting is The Lamentation (1305).
  • 1425

    Brancacci Chapel

    Brancacci Chapel
    The first Early Renaissance frescos or paintings were started in 1425 when two artists commenced painting a fresco cycle of the Life of St. Peter in the chapel of the Brancacci family, at the Carmelite Church in Florence. More than any other artist, Masaccio recognized the implications in the work of Giotto. He carried forward the practice of painting from nature. His frescos demonstrate an understanding of anatomy, of foreshortening, of linear perspective etc.
  • Period: 1425 to 1495

    The Early Renaissance

    The earliest truly Renaissance images in Florence date from 1401, although they are not paintings. That year a competition was held among seven young artists to select the artist to create a pair of bronze doors for the Florence Baptistery, the oldest remaining church in the city. The competitors were each to design a bronze panel of similar shape and size, representing The Sacrifice of Isaac.
  • Period: 1495 to 1520

    High Renaissance

    The High Renaissance of painting was the culmination of the varied means of expression and various advances in painting technique, such as linear perspective, the realistic depiction of both physical and psychological features and the manipulation of light and darkness.
  • 1519

    Leonardo da Vinci

    Leonardo da Vinci
    (1452–1519) He spent his formative years training in the Florence workshop of Verrocchio before moving to Milan, where he worked from 1482 to 1499 before returning to Florence from 1500 to 1506. Because of the scope of his interests and the extraordinary degree of talent that he demonstrated in so many diverse areas, he is regarded as the archetypal “Renaissance man” But it was first and foremost as a painter that he was admired in his own time.
  • Period: 1520 to

    Mannerism

    Also known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16 th century in italy, when the Baroque style largely replaced it. Northern Mannerism continued
  • 1566

    Daniele da Volterra

    Daniele da Volterra
    He was a Mannerist Italian painter and sculptor. He is best remembered for his association, for better or worse, with the late Michelangelo. Several of Daniele's most important works were based on designs made for that purpose by Michelangelo. After Michelangelo's death, Daniele was hired to cover the genitals in his Last Judgment with vestments and loincloths.