Di2

Evolution of Design

By ayenbay
  • Period: 30,000 BCE to

    Prehistoric and Ancient Design

    Prehistoric humans create tools and ornaments, demonstrating early design principles. Ancient civilizations like the Egyptians, Greeks, and Romans employ design in architecture, art, and everyday objects.
  • Period: 4000 BCE to 473

    Ancient Civilization

    Graphic design continued to evolve in ancient civilizations such as Egypt, Greece, and Rome. The ancient Egyptians used hieroglyphics as a form of visual communication, while the ancient Greeks used graphic design for coins, pottery, and other objects. The Romans also made use of graphic design in their architecture and artwork.
  • Period: 476 BCE to 1453

    Middle Ages

    During the Middle Ages, graphic design was primarily used for religious purposes, such as illuminated manuscripts and religious icons. The printing press, invented in 1440 by Johannes Gutenberg, marked a major turning point in the history of graphic design. This revolutionary technology made it possible to mass-produce printed materials, leading to an explosion of printed books, posters, and other forms of visual communication.
  • Period: 1449 to

    Gothic and Renaissance

    Gothic architecture flourishes with elaborate ornamentation, pointed arches, and stained glass. The Renaissance was a period of great cultural and intellectual revival, and graphic design played a significant role in this movement. The printing press made it possible to disseminate knowledge and ideas widely, leading to the creation of many books and other printed materials that were beautifully designed and illustrated.
  • Period: to

    Enlightenment and Industrial Revolution

    The Enlightenment and Industrial Revolution brought about many changes in society, including advances in printing and publishing technology. Graphic design became an increasingly important field, with the development of new printing techniques such as lithography and the rise of the advertising industry. Graphic design also played a role in the growing field of consumer culture, with the creation of packaging and other marketing materials for consumer goods.
  • Art Nouveau

    Art Nouveau
    Art Nouveau celebrates organic and curvilinear forms in architecture, furniture, and graphic design.
    It is characterized by intricate floral motifs and flowing lines.
  • Expressionism

    Expressionism
    Expressionism aimed to convey raw, emotional, and subjective experiences. It often featured distorted or exaggerated forms to express the inner world of the artist. Expressionist works are characterized by bold, vivid colors, dramatic brushwork, and a focus on the psychological and emotional state of the subjects.
  • Cubism

    Cubism
    Cubism is known for its innovative approach to representing objects, often breaking them down into geometric forms and showing multiple perspectives simultaneously. The style is characterized by the use of geometric shapes, such as cubes and cones, and a rejection of traditional perspective. There are two main phases: Analytical Cubism (1907-1912) and Synthetic Cubism (1912-1920).
  • Futurism

    Futurism
    Futurism was an avant-garde movement that celebrated modernity, speed, and technology. Artists sought to capture the dynamism and energy of the modern world. Futurist works often depicted movement, fragmentation, and the influence of machines. They utilized dynamic lines, geometric shapes, and bold color.
  • Dada

    Dada
    (WW1) Dada was an anti-art movement that rejected traditional aesthetics, embracing absurdity and irrationality. It was a response to the horrors of war and a rejection of conventional values. Dada encompassed a wide range of artistic expressions, including collage, assemblage, and found-object art. It often sought to provoke and challenge societal norms.
  • De Stijl (The Style)

    De Stijl (The Style)
    "Neoplasticism."

    This approach was characterized by a strict use of geometric shapes (primarily rectangles and squares), primary colors (red, blue, yellow), and black and white. De Stijl rejected naturalistic representation and focused on abstract and non-representational art, aiming for a universal visual language. The movement celebrated minimalism, precision, and an almost mathematical approach to composition.
  • Bauhaus

    Bauhaus
    The Bauhaus school promotes the integration of form and function in design. It pioneers modernist design principles, influencing art, architecture, and product design.
  • Constructivism

    Constructivism
    Constructivism emphasized geometric shapes and abstract forms. The movement valued the integration of art and design, promoting practical and utilitarian applications in architecture, graphic design, and industrial design. Artists often saw their work as a means of contributing to societal progress. Constructivists embraced new materials and techniques, including metal, glass, and plastic, reflecting the industrial and technological developments of the era.
  • Art Deco

    Art Deco
    Art Deco features geometric patterns, streamlined shapes, and bold color contrasts. It influences architecture, fashion, and industrial design.
  • American Kitsch

    American Kitsch
    American kitsch refers to a style, genre, or cultural phenomenon that is characterized by excessive sentimentality, tackiness, or a lack of sophistication. Exaggeration
    Simplification
    Nostalgia
    Use of Pop Culture Icons
    Repetition
    Irony
    Consumer Products
    Lowbrow Humor
  • Pop Art

    Pop Art
    Pop art was a reaction against the prevailing abstract expressionism and aimed to bring popular culture and everyday objects into the realm of high art. It celebrated the mundane, the mass-produced, and the consumer culture of the time. Use of Everyday Objects
    Bold and Bright Colors
    Repetition and Mass Production
    Irony and Critique
    Celebrity and Pop Icons
    Blurring the Line Between High and Low Art
  • Deconstructivism

    Deconstructivism
    Deconstructivism is an architectural and design movement that emerged in the 1980s. It is characterized by an approach that seeks to break down and challenge the conventional principles of design, symmetry, and structure. Deconstructivism often results in visually dynamic and fragmented buildings and designs that appear to defy gravity and traditional architectural norms.
  • Grunge Graffiti

    Grunge Graffiti
    Grunge graffiti refers to a style of graffiti that is heavily influenced by the grunge subculture and often features themes, aesthetics, and techniques associated with grunge music, fashion, and art. Grunge graffiti typically incorporates elements of this subculture into its artistic expression. Raw and Unpolished Aesthetic
    Anti-Establishment Themes
    Text and Typography
    Distorted Imagery
    Collage and Layering
    Limited Color Palette
    Weathered and Worn Materials:
    DIY Ethos
  • Digital Revolution

    Digital Revolution
    Late 20th century. The advent of personal computers and design software transforms graphic design and publishing. Digital imaging and the internet bring design to a global audience.
  • Sustainable Design

    Sustainable Design
    Sustainable design gains prominence, focusing on eco-friendly materials and practices. It addresses environmental concerns in product and architectural design.
  • Cross-Disciplinary

    Cross-Disciplinary
    Design thinking extends beyond traditional design fields to problem-solving in business, healthcare, and social innovation. Collaboration and user-centered approaches become central.
  • Contemporary and Emerging Trends

    Contemporary and Emerging Trends
    Contemporary design encompasses a wide range of digital and interactive design fields, including web design, UI/UX design, and virtual reality design. Emerging technologies like artificial intelligence and 3D printing continue to influence design practices.