The history of Cyberpunk

  • Blade Runner

    The Blade Runner soundtrack was composed by Vangelis for Ridley Scott's 1982 film Blade Runner. It is mostly a dark, melodic combination of classical composition and synthesizers which mirrors the futuristic film noir envisioned by Scott. Since the premiere of the film, two official albums have been released containing music omitted from the film and also new compositions featuring a similar style.
    References
    Johnson, Zac (2011)."Blade Runner - Vangelis | AllMusic". allmusic.com. Retrieved 2011
  • Kamikaze

    Kamikaze movie was produced by Wolf Gremm in 1989,starring Rainer Werner Fassbinder, Günther Kaufmann, Boy Gober, Gunther Kaufmann, Nicole heesters, Franco Nero.
    In the Germany of 1989 people have no problms. They are entertained around the clock by a gigantic multimedia cooperation, Operating from a thirty storey building. Strange things begin to happen a murder, more threats and a false confession.
    references
    Grmm,W(1989) Kamikazz
  • Psydoll

    Psydoll are a Cyberpunk band.They formed in Tokyo in 1997 and incorporate Industrial and Electropop with cyberpunk imagery, musical and lyrical content. In 2003 they were brought over to the UK to play at the Beyond the Veil gothic music festival in Leeds and gained some recognition amongst the UK industrial and gothic underground.Psydoll is a collection of their previous two Japanese albums plus a bonus track.
    References
    " MetalPsydoll (from The Herald )". Theherald.co.uk. 1997-10-11. Retriev
  • The Terminal Man

    The Terminal Man is a 1974 film directed by Mike Hodges, based on the 1972 novel of the same name by Michael Crichton.The story centers around the immediate dangers of mind control and the power of computers. This film is based on delusions that computers will rise up against humans. References
    Director Michael Crichton Films a Favorite Novelist, by Michael Owen. New York Times (1923-Current file) [New York, N.Y] 28 January 1979: D17.
  • I, Human

    I, Human is the second full-length album by Singaporean death metal band, Deus Ex Machina, and the first to feature a permanent vocalist, giving it more uniformity in contrast to The War Inside, which had a different singer for each track.Musically, it is an edgy mixture of Death Metal and Thrash Metal with Melodic death metal and Progressive Metal interjections, coupled with a diversified vocal approach.The lyrical content of the album deals with the future.

    Deus Ex Machina – I, Human,2009